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beautiful theater becomes beautiful films: Closer, Six Degrees of Seperation, Angels in America

CLOSER

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CLOSER

"I know who you are. I love you. I love everything about you that hurts." (Larry)

Larry: She doesn't want to be happy.
Dan: Everybody wants to be happy.
Larry: Depressives don't. They want to be unhappy to confirm that they're depressed. If they were happy they couldn't be depressed anymore. They'd have to go out into the room and live. Which can be depressing.

"Where is this love? I can't see it, I can't touch it. I can't feel it. I can't hear it. I can hear some words, but I can't do anything with your easy words." (Alice)

"You don't know the first thing about love because you don't understand compromise." (Larry)

"What's so great about the truth? Try lying for a change. It's the currency of the world." (Dan)

"Lyings the most fun a girl can have without taking her clothes off. But it's better if you do." (Alice)

Larry:You like his cock?
Anna:I love it!
Larry:You like him coming in your face?
Anna:Yes!
Larry:What does it taste like?
Anna:It tastes like you but sweeter!
Larry: That's the spirit. Thank you. Thank you for your honesty. Now fuck off and die, you fucked up slag.

Anna: Why is the sex so important?
Larry:Because I'm a fucking caveman!

"Without forgiveness, we're savages." (Larry)

"No one will ever love you as much as I do. Why isn't love enough?" (Alice)

Dan: I fell in love with her, Alice.
Alice: Oh, as if you had no choice? There's a moment. There's always a moment: 'I can give into this, or I can resist it,' and I don't know when your moment was, but I bet there was one.

Anna: I'm sorry you're...
Larry: Don't say it! Don't you fucking say I'm too good for you. I am, but don't say it.

Dan: And you left him, just like that?
Alice: It's the only way to leave. 'I don't love you anymore. Goodbye.'
Dan:Supposing you do still love them?
Alice:You don't leave.
Dan: You've never left someone you still love?
Alice: Nope.

Alice: I'm not a whore.
Larry: I wouldn't pay.

Anna: Don't stop loving me. I can see it draining out of you. It's me, remember? It was a stupid thing to do and it meant nothing. If you love me enough, you'll forgive me.

Dan: You've ruined my life.
Anna: You'll get over it.

Alice: Is it because she's successful?
Dan: No. It's because...she doesn't need me.

Larry: You think because you don't love us, or desire us, or even like us, you think you've won.
Alice: It's not a war.

SIX DEGREES OF SEPERATION

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SIX DEGREES OF SEPERATION

He offered you parts in Cats? I thought you hated Cats. You said it was an all time low in a lifetime of theatre going. You said, "Aeschylus did not invent the theatre to have it end up a bunch of chorus kids in cat suits prancing around wondering which of them will go to kitty-cat heaven. (Tess)

And we turn him into an anecdote, with no teeth, and a punchline you'll tell for years to come: "Oh, that reminds me of the time the imposter came into our house." "Oh! Tell the one about that boy." And we become these human jukeboxes spitting out these anecdotes to dine out on like we're doing right now. Well I will not turn him into an anecdote, it was an experience. How do we hold onto the experience? (Ouisa)

The imagination. It's there to sort out your nightmare, to show you the exit from the maze of your nightmare, to transform the nightmare into dreams, that become your bedrock. If we do not listen to that voice, it dies, it shrivels, it vanishes. The imagination is not our escape. On the contrary, the imagination is the place we are all trying to get to. (Paul)

I read somewhere that everybody on this planet is separated by only six other people. Six degrees of separation between us and everyone else on this planet. The President of the United States, a gondolier in Venice, just fill in the names. I find it extremely comforting that we're so close. I also find it like Chinese water torture, that we're so close because you have to find the right six people to make the right connection... I am bound, you are bound, to everyone on this planet by a trail of six people. (Ouisa)

ANGELS IN AMERICA

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ANGELS IN AMERICA

I usually say, "Fuck the truth," but mostly, the truth fucks you. (Prior)

Prior Walter: I have always depended on the kindness of strangers.
Hannah Pitt: Well that's a stupid thing to do.

Shut up! Please stop jabbering for one minute and pull your wits together and tell me how to get to Brooklyn, because you know and you're going to tell me because there is no one else around to tell me and I'm cold and I'm wet and I'm very, very angry. So I'm sorry that you're psychotic but just make an effort. Pull yourself together and take a deep breath. (Hannah, to the homeless woman)

Harper Pitt: I'm not addicted. I don't believe in addiction and I... I never drink and I never take drugs.
Prior Walter: Well, smell you, Nancy Drew.
Harper Pitt: Except for Valium.
Prior Walter: Except Valium in wee fistfuls.
Harper Pitt: It's terrible. Mormons are not supposed to be addicted to anything. I'm a Mormon.
Prior Walter: I'm a homosexual.
Harper Pitt: Oh. In my church, we don't believe in homosexuals.
Prior Walter: In my church, we don't believe in Mormons.

I hate America, Louis. I hate this country. Nothing but a bunch of big ideas and stories and people dying, and then people like you. The white cracker who wrote the National Anthem knew what he was doing. He set the word free to a note so high nobody could reach it. That was deliberate. (Belize)

Roy Cohn: What's it like? After?
Belize: After...?
Roy Cohn: This misery ends?
Belize: Hell or heaven?
Roy Cohn: Heaven.
Belize: Like San Francisco.
Roy Cohn: A city. Good. I was worried... it'd be a garden. I hate that shit.

I don't understand why I'm not dead. When your heart breaks, you should die. (Harper)

Harper Pitt: What are you doing in my hallucination?
Prior Walter: I'm not in your hallucination, you're in my dream.

AIDS. Homosexual. Gay. Lesbian. You think these are names that tell you who a person sleeps with, but they don't tell you that. No. Like all labels they tell you one thing, and one thing only: Where does an individual so identified fit into the food chain, the pecking order? Not ideology or sexual taste, but something much simpler: clout. Not who I fuck or who fucks me, but who will come to the phone when I call, who owes me favors. This is what a label refers to. Now to someone who does not understand this, a homosexual is what I am because I have sex with men, but really this is wrong. A homosexual is somebody who, in 15 years of trying cannot get a pissant anit-discrimination bill through the city council. A homosexual is somebody who knows nobody and who nobody knows. Who has zero clout. Does this sound like me Henry? (Roy Cohn)

This disease will be the end of many of us, but not nearly all. And the dead will be commemorated, and we'll struggle on with the living, and we are not going away. We won't die secret deaths anymore. The world only spins forward. We will be citizens. The time has come. (Prior)

: But still. Still bless me anyway. I want more life. I can't help myself. I do. I've lived through such terrible times and there are people who live through much worse. But you see them living anyway. When they're more spirit than body, more sores than skin, when they're burned and in agony, when flies lay eggs in the corners of the eyes of their children - they live. Death usually has to take life away. I don't know if that's just the animal. I don't know if it's not braver to die, but I recognize the habit; the addiction to being alive. So we live past hope. If I can find hope anywhere, that's it, that's the best I can do. It's so much not enough. It's so inadequate. But still bless me anyway. I want more life. And if he comes back, take him to court. He walked out on us, he oughta pay. (Prior)

When you cry, Louis, it's nothing. It's just the idea of crying. (Prior)

Real love isn't ambivalent. I'd swear that's a line from my favorite best-selling paperback novel, "In Love with the Night Mysterious", except I don't think you've ever read it. Well, you ought to, instead of spending the rest of your life, trying to get through "Democracy in America." It's about this white woman whose daddy owns a plantation in the Deep South, in the years before the Civil War. And her name is Margaret, and she's in love with her daddy's number-one slave, and his name is Thaddeus. And she's married, but her white slave-owner husband has AIDS: Antebellum Insufficiently-Developed Sex-organs. And so, there's a lot of hot stuff going down, when Margaret and Thaddeus can catch a spare torrid ten under the cotton-picking moon. And then of course the Yankees come, and they set the slaves free. And the slaves string up old daddy and so on, historical fiction. Somewhere in there I recall, Margaret and Thaddeus find the time to discuss the nature of love. Her face is reflecting the flames of the burning plantation, You know the way white people do, and his black face is dark in the night and she says to him, "Thaddeus, real love isn't ever ambivalent." (Belize)

Life is full of horror; nobody escapes, nobody; save yourself. Whatever pulls on you, whatever needs from you, threatens you. Don't be afraid; people are so afraid; don't be afraid to live in the raw wind, naked, alone...Learn at least this: What you are capable of. Let nothing stand in your way. (Roy Cohn)

Oh my queen; you know you've hit rock-bottom when even drag is a drag. (Prior)

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